AMBEA MULLANT KAVITA NA, KANNI ASA

AMBEA MULLANT KAVITA NA, KANNI ASA

- Walter Menezes



Hanv ekloch ambea mullant ubo asam. Mhoje voir suria loklokta. Punn mhoje mukhar kallokhuch zhollkota. Mhoje fattlean rnhojinch pavlam. Mhojea kal1zant ugdasachim lharam. Ugddas mhojea bapaicho, mhoje avoicho, ani ugddas tuzo, Kavita.

Donparcho veIl za1’lo asa. Torui jinnent kallkhe ratin biradd kel'lem asa. Uzvaddacho suria jinnent hanstolo zalear mon'xak khoim noxib asonk zai. Futtkea noxibacho hanv! Mhozo zolmuch kallokhant zal'lo. Hi soglli tuka khobor asli Kavita. Magir tum he jinnent ailench kiteak?

Sopnanchi rompi eka disa umtthun uddoitolem aslem zalear tunvern ti ximplich kiteak? Mogachi vateka disa palounchem aslem zalear tuvem ti pettoilich kiteak? Kiteak Kavita?

Mhojea kallza itlea lhan sonvsarant mhaka konnunch naslo Kavita, fokt tunch aslem. Mhojea bapain mhoje sovem aplo mog ken'nanch dakhounk nam. 'Baba' mhonnun tannen mhaka aple vengent ken 'nanch gheunk nam. Mog tannen fokt soreacho kelo. Rat-dis battlekuch veng marun ravlo. Bar-ant zhogddim, ghorant zhogddim. Hem fodd, tem modd. Mhojea bapaichi hi tor sodanchich karyavoll zaun gel'li. Sovostkay kitem, xanti kitem hi hanvem dusreanchea ghorant pollel'li. Amchea ghorant ken'nanch pollounk nam.

Mhoji avoi hem sogllem moneamni pollet ravli, sonxit ravli. Devi ti, mhoji avoi! Bapaik jen 'na nokrevelo nikhllailo ten'na khursar khillail 'lea porim avoik dislem. Koxi sambhallttoli apunn aplea ghoracheo chear vonntti? Tichem golleantlem bhangar chorun, toddun, bapain tor tika ken'na vinglli korun uddoil'li. Ghorant hansoi naslo, poisoi naslo. Avoichea dolleant mat sodanch dukancho somdir aslo. Kitleaxeach xezareanger avoin vavraddi mhunn apleo nakxeo zhoroitam-zhoroitam apli jinnunch zoroili. Ani eka disa.....

Koso visortolom hanv ti bhirankull rat? Hanv ten'na dha-bara vorsancho aslom. Ami tegaim rat-jevonn korunk boxil' lim. Bapui sarnko 'tight' aslo. Xitacheo unddio gillche suvater to avoik naka axil' leo gallio sovtaIo.

Jinnechem koddu omrut chakun chakun avoik tor ogi ravpachi sonvoy zaunuch gel'li. Magir okosmat konn zanna bapaicher khoincho devchar boslo to. Bapui jevtana modench utthlo ani udkacho glass kaddun nettan avoicher xevttilo. Avoin ekuch pavtti mottean bob marIi. Magir mostoka velean denvtolea rogta-zhorinchi porva nam kortam avoi utthli ani kuxik asloli petrolachi battli gheun nhidpa kuddant geli.

Bapaicher bosloIea denvcharak zagear haddtta mhollear khub so veIl geIo. Avoichi tor zag nasIi. Tichem kalliz pinzun kuddke zal'le hachi mhaka khobor asli. Khoinchea tori konnxak bosun pisuddlolea sopnancho ugddas korit roddtta astoli, oso hanven sumar kelo. Bapaik thoinsoruch dovrun hanv nhidpa kuddant vochunk utthlom. Kuddachem dar bond asIem. Hanvem pollelem tem polloun mhojer mollobuch tuttun poddIem!

Bhitor kuddant ujeachem agttem zal’lem. Sogllea dukhantlean meklli zaunk avoin apleakuch uzo ghatlolo. Je avoin mhaka zolm dil’l, je avoiche huntthient hanv vadlolom ti avoi mhojea dolleam mukhar soukas mortali. Hanvem bond aslolea darar mutti marleo, mhoji tokli pasun apttili. Punn tem dar ugttem korunk mhoje lagim ghoddlem nam. Atam jivitaeho ani mornnacho dhoni fokt hem dar zaun aslem. Hanvem bobo marun xezarchea lokak ektthaile. Punn dar moddun uddoita mhonnsor khub uxir zalo. Bhitor, nhidpa kuddant fokt ujeachem agttem aslem. Mhoji avoi nasIi.

Thoddim vorsam zatat mhollear bapaichi poristhiti samkich bigoddli. Eke rati bapui boroch soro piyelo ani rosteache kuxik khollient poddlo. Sokall fuddem jen'na suria udelo ten'na dusre pavtti mhozo jinne-suria kallokhant buddlo. Mhojea bapain tech khollient aplo prann soddlolo.

Oso eksuro, dukhachern vojem gheun bhovtana mhoji ani tuji bhett heach ambea zhaddachea rnullant zal'li. Yad asa tuka Kavita? Tea disa okosmat motthean pays ail’lo ani dogaim-lagim sotri naslolean amkam heach ambea mullant ubim ravchem poddlolem. Pays magir thambta mhonnsor mhojea dolleant, tujea dolleant, tujea kallzant, mhojea kallzant eke dusrech torecho pays poddunk suru zal'lo. To dis bhangaracho. To dis ojapancho. Tea disa khuxaIkayechea kupank pakham futtlirn ani suknnim zaun uddunk laglim. Kallkhi bontram pinzun uzvaddachim rongit kirnnam futtlim ani jinnechea mollbar ek novoch suria udelo. Suria sopnancho, suria mogacho!

Amchi dusri bhett, Kavita, heach ambea mullant zal’li. Tea disa pays poddlo na, mollob roddlem na; punn mhoji koddu kanni hanv sangtana tum mat roddlem Kavita, khub roddlem. Mhojea dukhant tum mhoji bhuzvonn zalem, mhojea pavlanchi ghottay. Tuzo mog, Kavita, mhoje jinnechi buniyad zali. Mhojea kantteamni guspol'lea jivita-zhaddak ful'lolo pormollit gulab!

Tum dusrea lagim logn zalem mhunn hanv tuka xinnona, Kavita. Jem kitem zaunchem aslem, tench zalem. Tujean tujea girest vhoddilanchea addkhollinchim doram toddun mhojea gorib ghorant yeunk zaunk na. Tum mhojea kallza itlea lhan sonvsarantlem pois gelem ten'na mhaka khub dukh bhogli, Kavita. Punn konnank sangum mhojem dukh?

Aiz nimnne pavtti hanv hea ambeamullant ubo asam. Zachea mullant bosun ami hozar sopnam sopnel'lim tea ambea rukhak faleam katrun urntthun kaddpache asat. Zanna Kavita, he vatten atam nogorpalikecho ek novo rosto zauncho asa. Hea ambea rukha bhoxen hanvui. go, Kavita. Hea fuddem hanv khoim astolom, khoinchea kantteak xirkotolom; futtkea noxibacheo kuraddi mhojea jinne-rukhacher poddun ken'na ani kitle ghave poddttole, hachi khobor Devak soddun konnak nastoli go, Kavita. Konnak nastoli!

Walter Menezes
KOTHAMALL (A Garland of Stories) pustokachea upkaran.

www.goa-world.com

GOA’S UNIQUE GLITTER: THE MARCASSITE JEWELLERY

GOA’S UNIQUE GLITTER: THE MARCASSITE JEWELLERY

- BY DALE LUIS MENEZES


In Goa all that glitters is not only gold but Marcassite as well. A phone call from a family friend in Baroda requests us to inquire about the price of Marcassite jewellery and although not interested in precious metals, I find myself in a joalharia, along with my parents. During the inquiry my mother makes a passing mention that such jewellery is unique to Goa and is found nowhere else in India. My curiosity leads me to Mr. Ashok Lotlikar of S.R. Lotlikar Jewellers in Margao. He is the third generation owner following in the footsteps of his grandfather, Mr. Raghuvir Vassudev Lotlikar and his father Mr. Shripathrao Raghuvir Lotlikar.
Mr. Ashok Lotlikar greets me as I enter his pristine shop lined with showcases displaying myriad intricately crafted jewellery pieces in gold and silver. The red velvet cushions in the brightly illuminated showcases, gives the gold an added touch of royalty. My eyes search for the pieces I have come searching for and I find quite a few. Comfortably seated, I start asking questions. Mr. Ashok Lotlikar talks passionately about his work and craft.
He informs me that the Marcassite jewellery came to Goa during the Portuguese time. “I don’t know exactly how old this art is. My grandfather and my father made such jewellery, so it should be at least three hundred years old,” he says. He finds questions like whether the Marcassite jewellery reached the Goan shores immediately after the Portuguese conquest or much later difficult to answer because not much is known about this jewellery which many believe is unique to Goa.

The Marcassite jewellery crafted in Goa is chiefly made of gold and silver metals. Zinc is used to harden silver. This hardened silver is then oxidized to give it the black colour, which is the hallmark of this jewellery. The metal is oxidized for about an hour and this process is repeated thrice with a gap of a few hours. This oxidized silver is locally known as ‘platinum’ but the actual metal is never used in the making of the jewellery. The stones used for Marcassite jewellery in Goa come from Switzerland and they are manually fixed by craftsmen. A large set takes at least three weeks to complete.
As far as the designs are concerned, the earliest craftsmen might have been inspired by the samples brought from Europe. This legacy was continued along with some original additions, Mr. Ashok Lotlikar disclosed. In Goa, Marcassite jewellery always has a base of gold unlike in foreign countries where a silver base is used. Elsewhere in India such jewellery is not crafted. Marcassite is hand-crafted and delicately worked upon and hence the big jewellery companies, who focus on machine and heavy work, may not have been interested in such jewellery, opines Mr. Ashok Lotlikar.
Marcassite jewellery is popular with the Catholics as such jewellery is given to a bride at the time of her marriage. The black colour of the set forms a stunning contrast with her white bridal gown. But since the last 10-15 years, according to Mr. Ashok Lotlikar, this jewellery has gained some popularity among the Hindus as well.
Mr. Ashok Lotlikar also proudly draws my attention to another unique type of Goan craftsmanship: the filigree work. By using finely drawn wires of gold, lace-like patterns are produced. This, like the Marcassite jewellery, has no rival in the whole of India.
I wonder why the Marcassite and the filigree type of jewellery are not popular despite their uniqueness. Mr. Ashok Lotlikar explains that this art is dying. It requires great patience, a virtue not compatible with the youngsters of the day. Mr. Ashok Lotlikar once had 7-8 workers, but today he has only two. “But they are good workers,” he hastens to add. Since such jewellery is unique to a particular geographical location, I ask whether the Marcassite and filigree jewellery deserve the much coveted Geographical Indication so that more popularity and encouragement will come its way. “Definitely,” he agrees. After all, should we not ask for what we rightfully deserve?
Mr. Ashok Lotlikar narrated an interesting story about people from north India, especially Punjab, purchasing Marcassite jewellery. Wives of army men, who were posted in Goa, purchased this unique and expensive jewellery. When they went home (or elsewhere) their friends and family members were fascinated by this jewellery and nursed a desire to possess a similar Marcassite set. This word-of-mouth publicity has led Mr. Ashok Lotlikar to send many sets of Marcassite jewellery to north India.
Marcassite jewellery is very expensive. Has the rising prices of gold affected the sales in any way, I ask. “Lok ghevpa asat tê ghetatuch. [People buy irrespective of the prices] The Indian mentality is such that it needs (at least) a minimum amount of gold on the occasion of a marriage. Gold always appreciates and people see the purchase of gold as an investment,’ Mr. Ashok Lotlikar tells me.
The smallest Marcassite set (pendant and earrings), without the gold chain, will cost anything between Rs. 18,000-20,000 and the purchase of a larger set will entirely depend on the depth of one’s pockets!

[END OF ARTICLE]

Pictures by: Dale Menezes

This article was first published by Gomantak Times (Goa)
exclusive on 28th May 2010.

Picture 1: Various types of Marcassite sets
Picture 2: Marcassite and filigree work on display
Picture 3: Mr. Ashok Lotlikar in his shop. Note his grandfather’s portrait which can be seen above the showcase

[Note: Although the 'Marcassite' jewellery is widely used in Goa, nothing much is written about it. Even a google and wiki search reveals nothing. The young writer requests to have feedback from the readers and can be contacted: Dale Menezes (Quepem)- [Email: dale_menezes at rediffmail.com]


The writer's recent articles as published by Gomantak Times:
http://waltermenezes.blogspot.com/2010/05/utorda-church-in-harmony-with-history.html


- Forwarded by www.goa-world.com
28 May 2010

UTORDA CHURCH: IN HARMONY WITH HISTORY AND PRESENT-DAY DEMANDS

UTORDA CHURCH:
IN HARMONY WITH HISTORY AND PRESENT-DAY DEMANDS

By DALE MENEZES


Note:The parishioners of Utorda are all set to inaugurate the new sacristy, mini community hall and prayer room of the church of Our Lady Of Lourdes on the 13th of May, 2010

Utorda, a village in the Salcette taluka, is immersed in the sounds of the Arabian Sea and the constant chug of the speeding trains passing through its surroundings. The 4000 plus parishioners of Utorda distributed in some 464 houses are all set to inaugurate the new addition/renovation done to the church of Our Lady of Lourdes.

[The façade of the Utorda church - Pic: Dale Menezes]

The church is more than a hundred years old and the move of the parishioners along with the parish priest can be viewed as an attempt to meet the present-day demands of the congregation while simultaneously striking a balance between the old and the new, in preserving heritage.

A little history
The Our Lady of Lourdes church was originally a chapel built through the efforts of Fr. Joao Jose Pereira, his brother Aleixo Piedade Pereira, with the assistance of other villagers. On the 30th of October, 1894 this chapel was thrown open for the faithful. In due course of time the flock of the Utorda chapel grew in number and as a result the chapel was elevated to the status of a church by the then Archbishop Rev. Fr. Raul Gonsalves on the 13th of May, 1976. Late Rev. Fr. Joaquim Dias Alberto was the parish priest at that time. Originally, the chapel was constructed having the bare minimal spiritual needs of the people in mind. With the railway route (which runs a few yards in front of the church) and private properties flanking on either sides, there is virtually no scope for expansion. Yet, the people of Utorda have learnt to manage their spiritual affairs within the limited resources.

[The Main Altar of the Utorda church - Pic: Dale Menezes]

The addition/renovation work In order to find out more about the addition/renovation to the church in Utorda, I contacted Rev. Fr. Britto Fernandes, the parish priest. It is under his leadership and guidance the parishioners of Our Lady of Lourdes church have stepped forward to see their endeavour come to fruition. Thirty years after the chapel was elevated to the status of a church, the parish of Utorda is all set to usher change. The sacristy, as informed by Fr. Britto, was in bad condition. This led to the renovation of the sacristy as well as the addition of an air-conditioned prayer room (where the Blessed Sacrament will be available to the faithful throughout the day) and a mini community hall. A garage is also adjusted in the limited space.

[Rev. Fr. Britto Fernandes - Pic: Dale Menezes]

Fr. Britto is a man all for heritage as he says that every precaution was taken not to harm the structure of the church in any way. “Ami adli igorz ji asa ti toxich dovorlea,” [We have not touched the church in any way] Fr. Britto informed me. In fact extreme care was taken not to demolish the exterior wall of the church while making way for the extension. The teak-wood doors which have stood the test of time were also re-used. The foundation for the new construction was laid on 11th February, 2009, the day of the feast of Our Lady of Lourdes, during the tenure of the committee comprising of the Parish Priest (President), Mr. Jose Pereira (Procurator), Mr. Elvis Pereira (Treasurer) and members, Mr. Marcelino Braganza and Mrs. Linda Pereira.

Inside the church, the century old wood altars are exquisitely crafted and at once evoke devotion. Fr. Britto also told me about the efforts put into preserving the false-ceiling made of wood, as he showed me around the interior of the church. Fr. Britto has made prudent use of the limited space available to make room for the new structure. A generator room which existed and was slightly in the path of new structure was not pulled down as it could be used as a store room for the church.
Fr. Britto agrees that the Utorda church has set an example to preserve the old and the new. “Definitely heritage is very important as it is the wealth and health of Goan society,” he opined. “Ek pavtt kitem-i moddlear (portem) mellta?” [Once we destroy something, can we get it back?] are his parting words to me.
The inauguration of the new sacristy, mini community hall, prayer room and the garage will take place on the 13th of May, 2010 under the new committee which has the Parish Priest as the President, Mr. Domingos Braganza (Procurator), Mr. Elvis Pereira (Treasurer) and members: Mr. Tony Pereira and Mrs. Emy Pereira. Rev. Fr. Jose Remedios Fernandes, Vicar General of the Archdiocese of Goa and Daman will bless and inaugurate the new additions.

[As published in Gomantak Times (today) 12th May 2010].

Pictures courtesy: Dale Menezes
www.goa-world.com



DSC06431: Rev. Fr. Britto Fernandes


DSC06434: The Main Altar of the Utorda church


DSC06438: The façade of the Utorda church


Pictures exclusive to www.goa-world.com
12/05/2010

Vijayadatta Lotlikar

Coconut: The Art of Coconut Craft
Vijaydatta Lotlikar (Master Craftsman)


Lotlikar 255/1, Arradi, Parra, Bardez, Goa Ph +91 832 2472067
M: +91-9423834208. Email vijay_lotlikar@yahoo.com

Released under the Creative Commons 3.0 license, non-commercial, attribution(except text copyrighted by others). May be reproduced for non-commercialpurposes, with attribution.ISBN 978-81-905682-34

Published by Goa,1556, Saligão 403511 Goa, India. http://goa1556.goa-india.org, goa1556@gmail.com +91-832-2409490.

Goa 1556 is an alternative publishing venture, named after the accidental arrival of Asia’s first Gutenberg-inspired printing press here.
Other publications: SONGS OF THE SURVIVORS (on Goans in Burma, Yvonne Vaz-Ezdani, ed, 2007), IN BLACK AND WHITE: INSIDERS’ STORIES ABOUT THE PRESS IN GOA (2008), GIRLS IN GREEN (alumni writings from St Mary’s, Mapusa, 2008) and MEDIEVAL GOA (Dr. T. R. De Souza, 2009), ANOTHER GOA (Frederick Noronha, 2009) � Cover design by Bina Nayak http://www.binanayak.com � Illustrations by Mahesh Naik, Assonora � Photographs from the collection of Vijaydatta Lotlikar and by Frederick Noronha � Printed and bound in Byculla, Mumbai by Rama Harmalkar, 9326102225 Typeset using LYX, http://www.lyx.org Text set in Palatino, 11 point.

Price: Rs. 195 in India.
Overseas US$ 19.95 or Euro 13.95


_________________________
A review I did on Fr Ave Maria Afonso's Konknni book, Rendermam' ani Tachem Jivit forms part of this book on Coconuts.
Please see chapter 4, page 37 onwards.

Walter Menezes
26/03/2010

14 Doyalleo Kornneo

Review of Brenda Menezes’ Konkani book…
14 DOYALLEO KORNNEO


By J P Pereira
Navhind Times, February 12, 2010


Brenda Menezes from Quepem, after penning a beautiful collection of humorous one-act plays titled, ‘Nattyangann’ in the Devnagri script, has released a collection of short stories, this time in the Roman script, for children and adults who are young at heart. The book titled ‘14 Doyalleo Kornneo’ has 14 short stories teaching morals for a good living, adapted from the teachings of our Lord Jesus Christ.

‘Bhukel’leank Jevunk Diunchem’, ‘Tanel’leank Pieunk Diunchem’, Vinglleank Nhesunk Diunchem’, ‘Peleak Bori Budh Diunchi’, ‘Dukhestank Bhuzvonn Diunchi’ and ‘Jiveam Ani Meloleam Khatir Magchem’ are some of the stories from the collection. Recounted in a simple and lucid style, children are bound to enjoy and gain a lot of understanding on how to show love towards one another. The author in the foreword pays a fitting tribute to the late Fr Edwin D’Souza, ex-Principal of Pope John XXIII High School, Quepem, who was a mentor and guide to her and all the children he taught.

The book published by the Dalgado Konkani Academy is priced at Rs 50 and is worth much more than that. Buy a copy for your children and if you have time, read it yourself. It is never too late to learn a good thing.




The book is available at:

Star Book Stall, Quepem

Confidant, Margao

Zito’s, Near Cine Lata, margao

Konkani Bhasha Mandal, Vidyanagar, Margao; and

Dalgado Konkani Akademi, Campal Trade Centre, St. Inez, Panaji.

____________________________________

14 Doyalleo Kornneo

Boroupi: Brenda Menezes

(c) Dalgado Konknni Akademi
Poili Avurt'ti - 2009
Uzavddavpi: Dalgado Konkanni Akademi, John Paul Building, 3rd Floor,
Classic Commercial Centre, Church Square, Panjim, Goa - 403001




Chhap'pi: Shayadri Offsets, Corlim, Ilhas, Goa.

Bhailem Chitr: Dale Menezes

Bhitorlim chitram: Govit Morajkar/Vesley Carrasco.

Mol 50/- Rupia.

Hem pustok Dalgado Konknni Akademiche 'Konknni Sahit'yacho Prochar Yeuzonn' hache khal chhaplam.
Hem pustokant bhaxechea adhunik nemam pormannem bodol kelea.

www.goa-world.com
23/03/2010


Links:
http://goabooks.wordpress.com/2008/01/30/konkanis-humorous-plays-review-by-jppereira/

VOICES AND VERSES OF FAITH

VOICES AND VERSES OF FAITH

A review of Sidhanath Buyao’s Konknni album, Grateful to Jesus

By: Walter Menezes


A little bit of ash on your forehead, a subtle reminder that you are dust and unto dust one day you will return, and Christians from all over the world are enduring a forty-day period of prayer and penance. It is that time of the year to dust the cobwebs from the corners of your life, shift into ‘silent mode’ and recollect with a grateful heart the many gifts and blessings received from Jesus.

Two weeks ago, after more than a month of hectic activities which kept me away from contributing my regular comic strip to GT, just when I was trying to settle down to conduct a much needed spiritual exercise of ‘stock-taking’, I came across Sidhanath Buyao’s Konknni album, Grateful to Jesus.

Dedicated to a very close friend, Jose Rod (Kuwait), who recently underwent a major operation, Sidhanath gratefully acknowledges the gift of ‘a new life’ which Jesus gave to the famous tiatrist. ‘Dekhun kallzache kholayentlean Dhonia Jezuche upkar,’ he mentions on the jacket of the album released in December, 2009.

The album is a blend of two different backgrounds. Konknni poet John Aguiar’s inspiring lyrics which spring forth from a heart embedded in Christian faith and Sidhanath Buyao’s equally touching music which is a fusion of tabla, santoor, sitar and the western instruments. The result: a refreshingly different album of Christian devotional songs.

Grateful to Jesus sets off in earnest with Natalanchi Parab, the lines of the famous carol…Long time ago in Bethlehem / So the Holy Bible says…greeting you, in English, at the very beginning of the track. But like a train which slows down and gently changes tracks as it approaches a station, Sidhanath effortlessly changes gears and lets us on to the Konknni version of the Christmas story:
Aiz ami nachum-ia, aiz ami gavum-ia
Natalanchi Parab ami khuxalkayen monoum-ia.
(Let us dance today, let us sing today
Let us with joy, celebrate Christmas day)

Tum Mhojem Sharann-sthan (You Are My Refuge) is one song which I have been listening to practically every day ever since Sidhanath’s sister, Mandovi, a friend of my wife, gave the album to us. Like the waves of a calm ocean washing up on the shore, Aguiar’s lyrics, Buyao’s voice and the music score all combine to caress and soothe your soul. Listen to these lines from the song:

Tum mhoje dolle, Tum mhoje kan
Jezu Tum mhoji prernna, sharann-sthan
(You are my eyes, You are my ears
You are my inspiration Jesus, my refuge)

Likewise, in Povitr Otmea Yo (Come O Holy Spirit), the poet-musician duo cast a similar spell on the listener:
Povitr Otmea yo
Mhoje jinnent bhitor sor
Jezuchea paim-am lagim mhaka begin vhor
(Come O Holy Spirit
Enter into my life
And quickly lead me unto Jesus’ feet)

Jezucho Jai-Jaikar (Praising Jesus) brings about a fresh dimension at the way Christian devotional songs can be sung. Rendered in the bhajan style, this format could well be used by the Church to ensure the total participation of the entire congregation.

But the best of them all is the last track, Jezu Krista, originally written, composed and sung by ‘Goem Shahir’ Ulhas Buyao. Sidhanath breathes life into the lines and with his voice, which at times reminds us of his late father, captures the essence of the song:
Jezu Krista, Putra Devachea
Noman Rochnnara sorga-sonvsarachea
Zolm tuvem ghetloi gottheant gorvanchea
Upodre- koxtt sonsle angnnant Pilatachea
Sotak lagon prann soddloi dongrar Kalvarichea
(Jesus Christ, Son of God
O Creator of heaven and earth
Born in a manger
You suffered in the courtyard of Pilate
And died for truth on the Mount of Calvary)

There is no doubt that Sidhanath’s Buyao’s album of devotional songs, Grateful To Jesus will help us to come a little more closer to Jesus.



[John Aguiar, who wrote the lyrics]

(First appeared on Gomantak Times dated 22.03.2010)

Sidhanath Buyao can be contacted at:
Buyao Theatres Goem,
1761, Gogol, Fatorda,
Goa - 403 601, India.
email: subuyao@gmail.com
subuyao at gmail.com

As forwarded to www.goa-world.com.

FR. NIXON D'SILVA: ON A HIGH NOTE

FR. NIXON D'SILVA: ON A HIGH NOTE


He has established a Music School in Curchorem and has four albums under his belt. He was recently felicitated by Dalgado Konknni Akademi at the Dusrem Konknni (Romi Lipi) Sahit’ya & Sonvskruti Sommelon for his contribution to music. Walter Menezes catches up with Fr. Nixon D’Silva, Director of Fr. Agnel’s School of Music & Performing Art.

After fifteen long years of formation in the seminary when he finally said Yes to Jesus in 2000, the theme on his ordination day was: Make me a sweet melody, O Lord!

And ever since that day, for Fr. Nixon D’Silva, a young priest from Navelim of the Society of Pilar, life has been precisely that: a sweet melody! In 2003, he released his first album, Shirya Laira at the 3rd Asian Youth Day in Bangalore and three years later followed it up with his second offering, Francis, A Man In A Hurry.

‘Shirya Laira is all about praise and worship and reflections of one’s own life while Francis, A Man In A Hurry, is on the life of St. Francis Xavier, patron saint of our society. Laced with commentaries, this album is the product of a play we had staged during the Exposition in 2004,’ Fr. Nixon informed.

Second album apart, 2006 is one year Fr. Nixon would always remember. Hand-picked by the Goa Province to head a mission of a different kind altogether, he packed his few belongings and, with his violin and his guitar in tow, headed down south and on September 4, 2006 established Fr. Agnel’s School of Music & Performing Arts in Curchorem.

‘Yes, I had my doubts when I set forth,’ he confided. ‘But they soon vanished. In the first year, I was amazed at the response. We had 140 students on our rolls! Today we have around 150 students learning violin, keyboards, guitar and drums. Some of the parents who accompany their children have joined in too. Rather than sitting out, waiting for their kids to finish, these parents are making optimum use of their spare time,’ he added.

Today, the school attracts students of all communities not only from Curchorem but from other places like Rivona, Tilamol, Kepem, Assolda and Sanguem. Classes are held in the evenings from three to six and the school assisted by six dedicated teachers, follow the Trinity College syllabus. Fr. Nixon is all praise for the students who learn the intricacies of the instruments in temporary premises located at Kakoda.

‘Music schools require a different set of classes and I feel for my students who work very hard, ignoring the difficulties they face because of classroom constrains. My superiors are seized of the matter and we may soon have a school building of our own,’ Fr. Nixon disclosed.

[Fr. Nixon being felicitated by Curchorem MLA, Shyam Saterdekar]

If the fruits of hard work are any indicator, then Fr. Agnel’s School of Music & Performing Arts has plenty of them in its kitty. Three of its students who represented their respective schools won prizes at the Talent Search Contest organized by Department of Art and Culture, Govt. of Goa, under the ‘violin’ category. At the Trinity College of Music exams also, the school has been consistently securing cent percent results since inception. Valerie Mascarenhas (2007) and Clint Fernandes (2008) topped the Trinity College results in Goa under Grade I Violin and Grade II Violin respectively while last year, Anjos Joseph just missed by a whisker to be on top under Grade II Keyboards. Elsewhere, the students are already proving to be valuable assets in the choirs and annual gatherings of their respective parishes and schools.

Fr. Nixon admits that there are no takers for the blowing instruments. When asked what could be the reason, he said, ‘Students have this wrong notion that blowing instruments are only meant for funerals and feasts. They do not know the depth of these instruments or the wonders they can work upon them. We have to change their mindset. This will take some time. Besides, nowadays we hardly see any commercial band making use of these blowing instruments. How will our children be inspired to use them?’

Perhaps this explains why Fr. Nixon invited Goa’s celebrated musician, Braz Gonsalves to perform at the First Annual Day of the school. Braz mesmerized an entire audience on his soprano sax but for the students and their parents, blowing instruments are yet to catch their fancy and their attention.

At the Third Annual Day to be held on Sunday, March 7, 2010 at Ravindra Bhavan, Curchorem, Fr. Nixon plans to introduce Goff, a Goan folk dance before the audience and then follow it up by making folk dances a part of the curriculum too from next year onwards.

[The students and teachers of Music School]
When I caught up with Fr. Nixon last week, a group of his students were busy rehearsing the Goff as they moved in and out of the circle, conscious of the design their saffron and white sheets of cloths were forming above them, while simultaneously dancing to the strains of chandr udela, go baye....Nandager aiz babu zala…aaz nach nachum-ia, goff ami khellum-ia…chandr udela..

Unlike the title of his second album, Fr. Nixon is a man who is never in a hurry, not where music is concerned. Strong in composition and production, he sits down to compose only when he is in the ‘flow’ or feels strongly ‘inspired’. ‘Everything comes from Him. It is His Spirit which inspires me. Sometimes I marvel. Is this from me? I ask,’ he told me with a humble heart.

In the thick and thin of establishing a new school in 2006, Fr. Nixon also released another album, this time in Konkani, Somudai Zai a compilation of basic Christian community songs to be sung during the meetings. Last year, at the Annual Day, Pilar Fathers Production brought out his fourth album, Where Can I Go, Lord?

‘This album is based on scriptures and the title song, Where Can I Go, Lord? literally became my passport for a performance in Dubai last October. Ellison Fernandes, a NRI Goan of Siolim had picked up my album in Mapusa and so touched was he by my song that Country Cousins, an organization he is intimately associated with in Dubai, arranged my trip. Alexyz, Goa’s famous cartoonist was also invited,’ Fr. Nixon informed.

When asked what it is that attracts so many young – and old – students to Fr. Agnel’s School of Music & Performing Arts, Fr. Nixon told me that there is no mantra. ‘On the first day of school, every year, I make it a point to show them a small power-point presentation of Tony Melendez (Toe Jam) of Nicaragua who has no arms but still plays the guitar with his feet. At the end of the presentation, I tell my students: If a man who has no arms can play so well, what about us, we who have hands as well?’

I did not ask Fr. Nixon about the response of his students. But I am sure it would be something like this: Yes, we can. Yes, we will!



[Note: Fr. Agnel's School of Music & Permorming Arts, Curchorem, a school which Fr. Nixon D'Silva established, is celebrating its Annual Day on Sunday, 7th March 2010.
An edited version of this article appears on Gomantak Times today, ie 06.03.2010. Goa-world.com team wishes Fr. Nixon D'Silva, the students and teachers all the very best on the occasion of its Annual Day]


6/03/2010
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